Tag Archives: social mobility

Alan Moore and the maybe slightly narrow mind

Alan Moore

Alan Moore, via Wikipedia

Alan Moore, widely considered the preeminent living writer of comics, recently suggested that devotees of superheroes beyond adolescence are ’emotionally subnormal.’   Moore may be right to an extent, but the kind of emotional emptiness filled by superheroes as escapism is probably one of the most common things in society — and it goes well beyond superhero geeks.  The antithesis of what Moore is describing — let’s call it emotional maturity — is hardly constant in the first place.

Picture in your mind someone who is supposed to be emotionally mature.  Unfortunately, people likely subconsciously look to men (primarily white) as examples of emotional maturity because that’s been the template for so long (see superheroes, also).   So, anyhow, for this emotionally mature person did you imagine the dad from The Wonder Years again?  Decent enough guy that he was, that character was a simmering pot of frustration and anger.  Life had needled him into practicality to the point where that was all he wanted to see reflected in his own family.  For such a person your average comic book is a frivolous waste of time, and so is fiction in general — and art, especially modern art … unless he was one of the many emotionally secure modern artists …

Yesterday’s standard of the emotionally secure person was probably a bit more social than the dad from The Wonder Years, but who needs social when you’ve got social networks.  The modern equivalent of emotionally secure certainly has an extremely tight grip on some kind of smart phone … but a smart phone, my friend, is no superhero. (It is a little?  Hmph.)  It’s mostly a lifestyle thing.  When someone who has gainful employment spends it on ways to enhance his or her lifestyle, that’s hardly emotionally mature.  Who needs hobbies or escapism when you’ve got a lifestyle, an obsession with up and coming neighborhoods, with the right this or that, the idea of the most spiritually meaningful way to stay healthy, etc.?  All of these measures of success — success, of course, hardly requiring that people be emotionally secure — can often easily be ascribed to, if not toys, then fixing up a really big room with lots of cool stuff and posters.

And what about an obsession with sports?  A friend of mine would say that being a fan of any actor or actress is the same as rooting for a player on some team.  Most of the time, it’s just as frivolous.

I don’t have anything against fashion, per se, but following it as intensely as some people do — even as a job — is hardly emotionally whole.  Trying to always have some look that’s in or ahead of some imaginary curve is like trying to constantly replicate immaturity .

Alan Moore doesn’t think superheroes stand for anything good, and well, few things do — though there is something to be said for the particular emptiness of something that is supposed to stand for something extremely good really being entirely one-dimensional.  But nothing I’ve mentioned here is inherently bad — far from it.  It’s just, none of it is inherently meaningful or emotionally sound.  Like any genre of fiction, superhero tales can add up to something positive.  Maybe their being part of the pop culture machine that Moore hates so much has limited that.

And beyond them, to comics that have nothing to do with superheroes — but instead usually feature upwardly mobile people grasping with feeling emotionally subnormal.  Even those can add up to something more positive than self-aggrandizing .  Really.

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The interview where Moore expressed his disdain for superheroes:

http://www.theguardian.com/books/2013/nov/22/alan-moore-comic-books-interview

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Robert Rudney on why he wrote a novel, living with a disability, and pity

rudneynovelIt’s a tale we see time and time again: a man with left-side paralysis joins a self-help group for people with disabilities, and finds himself falling for a woman dealing with multiple sclerosis.  Okay, wait, I may have exaggerated by about 1,000% what we do see of such fictional portrayals.  But with Robert Rudney’s Lovers Lame, there’s one solid story about people with disabilities being all human and stuff — and it’s by someone with a disability. See my interview with Rudney, a defense specialist and former head of an employment self-help group for people with disabilities, below:

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Maybe you weren’t conscious of it at the time, but when you were writing Lovers Lame were there any mainstream books or authors that made you think there was space on that shelf for what you wanted to do? 

There has been no disability novel written by an individual with a real disability.  Temporarily able-bodied authors like Jodi Picoult make an effort in books like House Rules.  But no one has caught how it feels from the inside to have a disability and how difficult it is to form intimate relationships with other human beings.  That’s why I wrote Lovers Lame.

I once heard the sentiment that the reality of society is marginalized people remain marginalized.  What makes it particularly significant is that it’s the only time I can recall hearing that from a person whom was also pretty liberal.  As someone who ran a networking group for the physically disabled, do you think there’s truth to that?    

Lots of surveys these days show an increasingly inequitable distribution of wealth.  People with disabilities are caught in the downward spiral because they are forced to depend on entitlements like SSDI, SSI, Medicare and Medicaid that entrap them in genteel poverty.  That was the case for a lot of individuals in my networking group.  Many couldn’t take a job because they couldn’t risk losing Medicare or Medicaid, and employer health plans (if they existed) were not sufficient for their health needs.

The employment conundrum is a key sub-theme of Lovers Lame.

Have experiences that come just because you’re physically disabled made you empathize with other marginalized people?  Or do you find that there are divisions between you and people whom have similar experiences from different vantage points?

I have been pitied and over-accommodated and advertised as a “poster child” for people with disabilities.  However, I was able to transcend my disability and make it up the career ladder with little or no assistance from legal protections like the ADA.  I was one of a small minority in this respect.  Every disability is different and has its own unique vantage point.  The difficulties in communicating among people with disabilities is another key sub-theme of Lovers Lame.  The narrator, David, has something close to cerebral palsy and falls hopelessly in love with Jessica, a tempestuous artist with multiple sclerosis.  Their failure to communicate is one of the driving forces of the novel.

Every disability is different and has its own unique vantage point.  The difficulties in communicating among people with disabilities is another key sub-theme of Lovers Lame. 

I think, with mainstream culture being what it is, there’s a strange dichotomy between normalcy and having to come to terms with the fact that a certain amount of what is good syncs up with looking a certain way, with taking certain roads home.  David, the narrator of your book, seems like a guy who carries a certain weight with him in this regard.  A quick glance at the guy in certain situations and he may look ordinary enough, but anything beyond that, and his left-side paralysis doesn’t make for someone who looks normal.  As he is initially in your book, he seems introverted and closed off, even to himself somewhat.    

Yes, we have a packaged, programmed view of what people should look like, what is accepted to be ‘normal.’ In  Lovers Lame, David draws a sharp distinction between his condition and that of his brother Ted, an able-bodied athlete, affluent businessman, happily married.

At times, David (like me) tries to hide his disability and usually fails.  Too many experiences like this induce a heavy dose of introspection and introversion, both in fictional characters (David) and ‘real life’ (Bob Rudney).

With how rare they are in general, have typical portrayals of people with disabilities been something that you’ve  found alienating?

All those condescending poster-children portrayals drive me up the wall.  In the immortal words of Ed Roberts, the pioneering disability activist:  “Piss on pity.”

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Thanks to Robert for his time.  Find out more about him and his novel at these links:   

http://booklocker.com/books/6101.html

http://www.loverslame.com